POST FACADE
A series of short films, 2023
"The movies were just this extraordinarily varied and interesting landscape. And by the time I started working here in 2000, my mission was to try to connect movies with their audiences, to let readers know about what was out there that might be the kind of movie that they didn’t think they were interested in. Because for me, moviegoing had always been about taking chances, while not saying that everyone should just surrender to random chance. I wanted to make the case to readers that — and get out of their comfort zone and see something new and see something that could surprise them, that could show them an aspect of the world or an aspect of movies that they hadn’t felt was there before. There’s a flipside to that or a negative side to that, which is that you also want to be, as a critic, the antidote to hype. Every movie comes on a tide of marketing and publicity and advertising. And you want to be the independent alternative to that."
- A.O. Scott, guest. “Our Film Critic on Why He’s Done with the Movies.” The Daily, The New York Times. 23 March 2023.
In Search Of A Child, I Know Nothing while walking through Conflated Territories. I find a Super Object within the Honda Valley. A Safe Place within Vessels while playing a Video Of Drying Paint In Progress. Time for Desolation for the Sight To Sound enters The Prairies Of Sandhill while constructing The Wall And The Box through the presence of Handling Memory. I pause while Filling Water On A Friday Afternoon and When It Happens the space of Mein Haus Am Horn comes to mind, enter Jafemar. As I leave this place and walk through Rancho Del Sapo and Hansel, the Inner Landscape approaches and I confront myself with a notion of, When Does Questioning Everything Go Too Far? Time for music, I am Playing 45678, a bit of nostalgia while asking myself, Why Me Dad? A Portal of Pathways and The Cycle screams out Viva Mexico! Another place, another time while the Fourth Of July In Suburbia there is a moment where Trees Be Flying. The Faces of Grief Piece 393 is playing while eating Something At Breakfast, the title 2SIT/5 means something more than what it is. Questions/Answers towards Leveling With A Dream the Skyfield of a Mobile ADU becomes like a Slug within The Glitch. It is time All Out, All Day, Commit and just Click The Link Below And Get Started Today.
The exhibition includes films by:
Mehdi Bouchami, Rebecca Bruno, Santiago Cal, Casey Callahan, Shane Darwent, Tom Day, Jerome Deck, Charles Derenne, Bill Dilworth, Robin Donaldson, Scott Drickey, Natou Fall, Peter Goché, Oliver Goché, Robert Gunderman, Allegra Hangen, Anna Elise Johnson, Andrew Kovacs, Shawnequa Linder, Thomas Linder, Ross Miller, Aryana Minai, Mabel Moore, Mike Nesbit, Garry Noland, Chad Olsen, Emmanuelle Pickett, Vincent Pocsik, Thomas Prinz, Max Rippon, Levi Robb, Thalia Rodgers, Daniel Paul Schubert, Francesco Siqueiros, Leila Spilman, Spirit of Space, Justin Streichman, Seejon Thomas, Ian Tredway, Ameen Wahba, Taiyo Watanabe, Ella Weber, and Kentaro Yamada.
Show Sponsor:
Lucky Bucket Brewing Co.
A series of short films, 2023
"The movies were just this extraordinarily varied and interesting landscape. And by the time I started working here in 2000, my mission was to try to connect movies with their audiences, to let readers know about what was out there that might be the kind of movie that they didn’t think they were interested in. Because for me, moviegoing had always been about taking chances, while not saying that everyone should just surrender to random chance. I wanted to make the case to readers that — and get out of their comfort zone and see something new and see something that could surprise them, that could show them an aspect of the world or an aspect of movies that they hadn’t felt was there before. There’s a flipside to that or a negative side to that, which is that you also want to be, as a critic, the antidote to hype. Every movie comes on a tide of marketing and publicity and advertising. And you want to be the independent alternative to that."
- A.O. Scott, guest. “Our Film Critic on Why He’s Done with the Movies.” The Daily, The New York Times. 23 March 2023.
In Search Of A Child, I Know Nothing while walking through Conflated Territories. I find a Super Object within the Honda Valley. A Safe Place within Vessels while playing a Video Of Drying Paint In Progress. Time for Desolation for the Sight To Sound enters The Prairies Of Sandhill while constructing The Wall And The Box through the presence of Handling Memory. I pause while Filling Water On A Friday Afternoon and When It Happens the space of Mein Haus Am Horn comes to mind, enter Jafemar. As I leave this place and walk through Rancho Del Sapo and Hansel, the Inner Landscape approaches and I confront myself with a notion of, When Does Questioning Everything Go Too Far? Time for music, I am Playing 45678, a bit of nostalgia while asking myself, Why Me Dad? A Portal of Pathways and The Cycle screams out Viva Mexico! Another place, another time while the Fourth Of July In Suburbia there is a moment where Trees Be Flying. The Faces of Grief Piece 393 is playing while eating Something At Breakfast, the title 2SIT/5 means something more than what it is. Questions/Answers towards Leveling With A Dream the Skyfield of a Mobile ADU becomes like a Slug within The Glitch. It is time All Out, All Day, Commit and just Click The Link Below And Get Started Today.
The exhibition includes films by:
Mehdi Bouchami, Rebecca Bruno, Santiago Cal, Casey Callahan, Shane Darwent, Tom Day, Jerome Deck, Charles Derenne, Bill Dilworth, Robin Donaldson, Scott Drickey, Natou Fall, Peter Goché, Oliver Goché, Robert Gunderman, Allegra Hangen, Anna Elise Johnson, Andrew Kovacs, Shawnequa Linder, Thomas Linder, Ross Miller, Aryana Minai, Mabel Moore, Mike Nesbit, Garry Noland, Chad Olsen, Emmanuelle Pickett, Vincent Pocsik, Thomas Prinz, Max Rippon, Levi Robb, Thalia Rodgers, Daniel Paul Schubert, Francesco Siqueiros, Leila Spilman, Spirit of Space, Justin Streichman, Seejon Thomas, Ian Tredway, Ameen Wahba, Taiyo Watanabe, Ella Weber, and Kentaro Yamada.
Show Sponsor:
Lucky Bucket Brewing Co.
In Search of a Child/I Know Nothing by Francesco Siqueiros
Conflated Territories by Peter Goché & Oliver Goché
Office Kovacs, Superobject Arch, MOTN Festival, Abu Dhabi, UAE, 2022 by Andrew Kovacs
Honda Valley by Jerome Deck
Safe Space 2020 by Leila Spilman (DP & Co-Director Jonathan Schoonover)
Vessels by Kentaro Yamada
Video of a drying painting in progress by Anna Elise Johnson
Desolation by Taiyo Watanabe
Sight to Sound by Bill Dilworth
The Prairies of Sandhill by Mike Nesbit
The Wall and the Box by Thomas Prinz
Handling Memory by Aryana Minai
Filling Water on a Friday Afternoon by Mehdi Bouchami
When It Happens by Rebecca Bruno & Justin Streichman
Mein Haus Am Horn by Spirit of Space
Jafemar 2023 by Max Rippon (Soundtrack by Charles Derenne)
Rancho del Sapo by Robert Gunderman
Hensel by Shane Darwent
Inner Landscape by Chad Olsen
When does questioning everything go too far by Thalia Rodgers
Playing 45678 by Daniel Schubert
Why Me Dad? by Garry Noland
Portal by Santiago Cal
Pathways by Casey Callahan
The Cycle by Ian Tredway
Viva Mexico, Arriba Mexico by Allegra Hangen
Fourth of July in Suburbia by Ella Weber
Trees Be Flying by Ross Miller
Faces by Levi Robb
Grief Piece 393 by Natou Fall
Something at Breakfast by Tom Day
2SIT/5 by Ameen Wahba
Questions Answers by Charles Derenne
Leveling with a Dream by Vincent Pocsik
Skyfield by Emmanuelle Pickett
Mobile ADU by Robin Donaldson
Slug by Mabel Moore & Thomas Linder
Click The Link Below and Get Started Today by Seejon Thomas
In The Glitch by Shawnequa Linder
ALL OUT. ALL DAY. COMMIT. by Scott Drickey